contemplation green, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 47x66
bi 4, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 61x81
contemplation 4, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 50x65
infinity path XV, Chinese ink on Hanji-traditional Korean paper, handmade, 60x40 (sold)
red infinity path XIX, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 82x55 (sold)
infinity path XVII, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 55x38 (sold)
infinity path VII black, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 40x50
infinity path XVIII, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 80x40 (sold)
memory of the wend 3, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 40x30 (sold)
infinity path XVI, Chinese ink on Hanji-traditional Korean paper, handmade, 40x30 (sold)
contemplation 3, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 24x30 (sold)
memory of the wind 1, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 101x70 (sold)
memory of the wind II, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x70 (sold)
memory of the wind III, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x70 (sold)
infinity path XII, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 100x50 (sold)
infinity path green 2, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 100x50 (sold)
infinity path XIV, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x50 (sold)
memory of the wend II, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x70 (sold)
infinity path XI, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 74x51 (sold)
memory of the wend 1, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 101x70 (sold)
blue path II, 2018, Chinese ink on Hanji-traditional Korean paper, handmade, 60x80
bi II, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 55x82 (sold)
blue path, 2018, Chinese ink on Hanji-traditional Korean paper, handmade, 48x66
contemplation 2, Chinese ink on Hanji-traditional Korean paper, handmade, 74x95 (sold)
bi III, Chinese ink on Hanji-traditional Korean paper, handmade, 100x120 (sold)
bi 1, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 55x74(sold)
infinity path III, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 100x120 (sold)
infinity path II, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 50x50 (sold)
silence, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 94x66 (sold)
infinity path V, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 62x46 (sold)
infinity path XIII - contemplation, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 80x60 (sold)
infinity path IX green, 2019 Chinese ink on Hanji-traditional Korean paper, handmade, 50x40 (sold)
infinite path, 2019, Chinese ink on Hanji-traditional Korean paper handmade, 100x50 (sold)
coincidence black, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, Metal, 30x50x50
coincidence blue, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, Metal, 30x50x50
LEE hyunjoung
Statement
"Ich erschaffe maginäre Reisen zwischen Paradies und Erde, Wege zwischen Wolken und Täler und Sternenpfade für die Augen. Mein Universum ist poetisch. Wie eine innere Reise, Ich lade den Betrachter auf einen Spaziergang ein, auf eine innere Reise durch diese meine Luftaufnahmen, die aus meiner Kindheit in Korea stammen, aus meiner unendlichen Liebe zur Malerei und meiner Art der Metallverarbeitung. Aus diesen drei Aspekten besteht mein Universum. Aus meiner Vergangenheit in Korea bewahre ich die Erinnerung an Materialien und den Glauben meiner Vorfahren. Reis-Papier lag auf den Fußböden der Häuser meiner Kindheit. Darauf befanden sich Fußabdrücke, Lebenszeichen, und ich entdeckte sogar imaginäre Gemälde und Landschaften. Später in Frankreich übernahm ich dieses Rohmaterial, löste es in Wasser auf, gestaltete es so, damit die glatte und ursprüngliche Seite zerstört wird, um eine unregelmäßige, lebendigere Textur zu schaffen. Damit das Papier seine farblose Stille verliert, male ich, betone diese mit chinesischer Tinte und streue Koreanische Pigmenten darüber".
