contemplation green, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 47x66
bi 4, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 61x81
contemplation 4, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 50x65
infinity path XV, Chinese ink on Hanji-traditional Korean paper, handmade, 60x40 (sold)
red infinity path XIX, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 82x55 (sold)
infinity path XVII, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 55x38 (sold)
infinity path VII black, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 40x50
memory of the wend 3, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 40x30 (sold)
infinity path XVIII, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 80x40 (sold)
infinity path XVI, Chinese ink on Hanji-traditional Korean paper, handmade, 40x30 (sold)
contemplation 3, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 24x30 (sold)
memory of the wind 1, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 101x70 (sold)
memory of the wind II, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x70 (sold)
memory of the wind III, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x70 (sold)
infinite path, 2019, Chinese ink on Hanji-traditional Korean paper handmade, 100x50 (sold)
infinity path green 2, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 100x50 (sold)
infinity path XIV, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x50 (sold)
memory of the wend 1, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 101x70 (sold)
infinity path XI, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 74x51 (sold)
memory of the wend II, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 100x70 (sold)
blue path II, 2018, Chinese ink on Hanji-traditional Korean paper, handmade, 60x80
bi II, 2021, Chinese ink on Hanji-traditional Korean paper, handmade, 55x82 (sold)
blue path, 2018, Chinese ink on Hanji-traditional Korean paper, handmade, 48x66
contemplation 2, Chinese ink on Hanji-traditional Korean paper, handmade, 74x95 (sold)
bi III, Chinese ink on Hanji-traditional Korean paper, handmade, 100x120 (sold)
bi 1, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 55x74(sold)
infinity path III, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 100x120 (sold)
infinity path II, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 50x50 (sold)
silence, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 94x66 (sold)
infinity path XII, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 100x50 (sold)
infinity path V, 2019, Chinese ink on Hanji-traditional Korean paper, handmade, 62x46 (sold)
infinity path XIII - contemplation, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, 80x60 (sold)
infinity path IX green, 2019 Chinese ink on Hanji-traditional Korean paper, handmade, 50x40 (sold)
coincidence black, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, Metal, 30x50x50
coincidence blue, 2020, Chinese ink on Hanji-traditional Korean paper, handmade, Metal, 30x50x50
LEE hyunjoung
Statement
"In my works I go on imaginary journeys between paradise and earth, paths between clouds and valleys, I create star trails for the eyes. My universe is poetic. Like an inner journey, I invite the viewer on a walk to follow me. The motifs come from memories of my childhood in Korea, my infinite love of painting and traditional material processing. From these three aspects I have constructed my universe. From my past in Korea I keep the memory of the materials and the faith of my ancestors. Rice paper is the outer layer of these memories, enamel dishes their secret symbols. This paper lined the floors of the houses at home. On it were footprints, signs of life, and even then I imagined paintings and landscapes. In France I took this raw material, dissolved it in water, redesigned it to remove its smooth, original side and create an irregular, more vivid texture. I reappropriated the technique of making rice paper to make it more visible and to show my imaginary paths. In order for the papers to leave its colourless silence behind and these tinted worlds, I paint, I draw with Chinese ink, I scatter with Korean pigments".
